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Elisabeth Subrin is a Brooklyn-based film and video artist and curator. ==Biography== In 1990 she received a B.F.A. in film from Massachusetts College of Art. She then received an M.F.A. in video from the School of the Art Institute of Chicago in 1995, where she stayed to teach in the First Year Graduate Programs until 1997. She has taught at Cooper Union, Amherst College, the School of the Art Institute of Chicago, the Graduate Program at Virginia Commonwealth University, Temple University and Harvard University. Her work has been screened and exhibited internationally, including solo shows at the Museum of Modern Art, the Vienna International Film Festival, the Institute of Contemporary Art, Boston, and the San Francisco Cinematheque, as well as group shows at the 2000 Whitney Biennial, the Guggenheim Museum, the Walker Art Center, and the Rotterdam International Film Festival. She has also received numerous grants and fellowships.〔Video Data Bank 2008, p. 1.〕 Her film and video work explores relationships between history and subjectivity, especially within female biography, as well as the nature of evidence. Working across narrative, documentary and conceptual art practices, she also explores questions about the meaning of mental illness, the legacy of feminism and the impact of recent social history, in particular, the ‘60s.〔Video Data Bank 2088, p.1.〕 Subrin has described her work as having been "fairly experimental, in the sense that it’s very difficult to say whether it’s fiction or nonfiction."〔Creative Capital 2001, p.1.〕 Subrin has found influence by feminist theory as well as by independent filmmakers like Chantal Ackerman, Todd Haynes, and Charles Burnett. While she is often seen as a feminist filmmaker, she says her own work is, “more about history and subjectivity, the meaning of the dominant history and personal experience. Obviously that’s seen through a feminist perspective, but I think it would do it a disservice to say it’s either just feminist or just experimental. Feminism embodies so many different kinds of work.”〔Creative Capital 2001, p.2.〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Elisabeth Subrin」の詳細全文を読む スポンサード リンク
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